This makes me think of some books of novellas, something like modern-day Kafka (maybe not so desperate). Moreover, their dominant motivational themes were learning and personal growth, achievement, and power. I like it on ts own, but it might be a good idea to have a second one like this on the right, or to put it in the center, or to get rid of it entirely.
It is a single building rather than bits and pieces of what seems to be different structures, this building is dark against a white background (while your other backgrounds are at least a bit covered and it does not fill the whole panel. Although it seems that the leftmost panel looks a bit out of place in this collection. dengan ukuran 40 x 40 Detail arsitektur yang ditunjukkan adalah kanopi yang menjadi simbol menangkap pertama kali ketika memasuki bangunan terminal ini.
#SERIAL VISION ADALAH SERIAL#
In general I like the arrangement of the eight scenes, there is a clear rhythm in that sequence. SITEPLAN, SERIAL VISION, DETAIL ARSITEKTUR REDESAIN TERMINAL BUS PURABAYA TEMA : GOTCHA NAMA : SARAH SAFINA NRP :3208 100 026 DOSEN PEMBIMBING. It might be a good idea to make those lines lighter, but thicker in contrast to sharp thin dark lines in the foreground. SEQUENCE dan SERIAL VISION Disusun oleh : Ririn Dina Mutfianti Lingkungan Hidup Manusia Dalam Penciptaan lingkungan hidup manusia, ada hubungan antara lingkungan yang satu dengan yang lain yang bersifat kontinyu dan tersusun dalam suatu tata urutan (sequence) SEQUENCE 3 hal penting yang menjadi keberhasilan dalam menyusun sequence 1. For example in the fourth scene from the left, you have a sharp angle on the building and you do make it darker on the bottom and lighter further away, but the structures under the arch have darker lines than this angle - this cannot be so. But at the same time you might lose depth when you make little distinction between the lines closer to the viewer and farther away from them. You have a nice variability in line thickness when you reinforce the angles.
Does the one 'filled' bike on the second from the right panel mean something?) Learning and practicing this extensively researched approach is the key to unlocking the mystery of understanding fingerspelling. I like the negative figures of people and bicycles, they create a difference between the mobile and static. I have always envied people who can do urban sketches with nice structures This suggests a reinterpretation of these and perhaps other studies that use the Treisman visual search paradigm, in terms of perceptual segregation of the visual field by disparity, motion, color, and pattern features such as colinearity, orientation, lateral separation, or size.Very enjoyable drawing! It really conveys a feeling of a city comfortable to live in. However, practice has a significant effect upon the results, indicative of a shift in the mode of search from serial to parallel for all conjunctions tested as well as for single features. Conversely, reaction times for detection of conjunctions of vernier offsets and orientation, or lateral separation and each of the other positional judgements, were related linearly to the number of distractors, suggesting serial search. The initial results showed that reaction times for visual search for conjunctions of stereoscopic disparity and either vernier offsets or orientation were independent of the number of distracting stimuli displayed, suggesting that disparity was searched in parallel with vernier offsets or orientation. A study is reported in which visual search for suprathreshold positional information-vernier offsets, stereoscopic disparity, lateral separation, and orientation-was examined. The nature of the processing of combinations of stimulus dimensions in human vision has recently been investigated.
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